JANET

Perfect for the top tier professional but essential for the first day freshman.

There is an app called STEEZY. We are going to tell you about it because we believe in honesty and because this is art — not a boardroom.

STEEZY has over a thousand video classes taught by professional dancers. Hip-hop. Contemporary. Jazz. Ballet. K-pop. If you are learning to dance — if you want someone on a screen to show you how to move and break it down step by step — STEEZY does that better than anything we built. It is genuinely excellent. It costs money. It is worth looking at if instruction is what you need.

We are not in that business. We never were.

Janet was built for the dancer who already knows how to move. The one who has been moving for years. The professional. The choreographer. The dance captain standing in a studio at 7pm on a Thursday with sixteen people waiting and a show in three weeks. That person does not need instruction. They need tools.

And the tools that person needs have never existed in one free place before now.

What Janet is:

Eight tools built for the complete professional dance and movement life.

Phrase is your choreography vocabulary builder. Every piece of movement you create gets named, documented, and stored — the style, the energy level, the music cue it lives on, the count-by-count breakdown, the transition into the next phrase. You stop carrying your choreography in your head and start owning it on paper. Call it by name in rehearsal. Your dancers will know exactly what you mean.

Counts maps your choreography to the music with the precision that separates professional work from amateur work. An interactive 8-count grid where you mark exactly where every movement lands. Section breakdown by bar, BPM, and choreography note. Because in a professional production, every count belongs to something deliberate — and the dancer who knows exactly where they are in the music is the dancer who makes everyone around them look better.

Show builds your complete production structure from opening number to encore. Every piece documented with duration, type, costume, company required, and transition notes. A live running total of your show runtime so you know exactly what you are asking of an audience before you ever put them in a seat.

Company manages your roster the way a professional manages a company — roles, styles, contract types, pieces assigned, understudy coverage. Every dancer accounted for. Every role covered.

Spacing is your stage formation planner with a live canvas. Tap to place dancers. Color-code by role — Lead, Corps, Feature. Label each position. Switch between Proscenium, Thrust, and Arena configurations. Save named formations so you can call them in rehearsal the same way you call phrases. The geometry of a stage is not an afterthought. It is half the performance.

Rehearsal builds the professional call sheet your company deserves. Date, call time, end time, studio, rehearsal type, sections, company called, warmup leader, what to bring. It auto-sorts by date. It exports as a clean document you can share. Respect for your dancers starts with a clear call sheet. That has always been true.

Journal is your private artist's notebook. What you worked on. What clicked today. What is not there yet. What the music is telling you that you have not figured out how to answer yet. The greatest choreographers in history kept notes. Their notebooks are priceless. Start yours.

And then there is the Body tool.

This is where Janet goes somewhere no dance app has gone before.

The body is the instrument. There is no backup instrument. Every professional dancer knows this. Every professional dancer has watched a colleague push through something they should have rested and pay for it for months. Some of them paid for it for the rest of their career.

Janet's Body tool is built around a simple truth — that the dancer who manages their physical instrument with the same discipline they bring to their craft will have a longer, stronger, healthier career than the one who does not.

Every day you open it, you rate nine areas of your body — lower back, hips and pelvis, knees, ankles and feet, shoulders, neck and spine, core, energy level, and mental focus — on a simple slider from zero to ten. Not for anyone else. Not uploaded anywhere. Not sent to a trainer or a company or a database. For you. So that the pattern becomes visible before it becomes an injury.

And when something does happen — because it does, for every dancer — the injury log is there. Body part. Date of onset. Severity — Mild, Moderate, Severe, or Resolved. What happened, what movement caused it, how it feels. What treatment you are doing. The full record of your body's history, private and yours.

Nothing in the dance app market does this. The closest equivalent — AthleteMonitoring — is institutional software built for Olympic organizations and medical staff. It requires a team, a budget, and a data scientist to interpret it. It is not built for you. It does not know you exist.

Janet does. And Janet is free.

No email. No account. No subscription. No data collected. Nothing asked of you in return.

There are apps that do pieces of what Janet does. Choreographic has stronger formation animation — it is genuinely beautiful and if 3D formation visualization is the thing you need most it is worth the subscription. Coach's Eye is excellent for video review and technique analysis. DanceTribe is free and solid for music editing. These are real tools made by people who care about dance.

But none of them put everything in one room. None of them treat the dancer's body as seriously as they treat the choreography. And none of them are free in the way Janet is free — no conditions, no data, no fine print.

Janet was built in honor of Janet Jackson because she understood something that most people in the entertainment industry spend their whole careers pretending they do not have to understand — that the instrument is everything, and the instrument requires everything in return.

The gallery is open. Show the world your work. This space was built for you.

Free. Always.